Photo: M. Garrett/Murray Garrett/Getty ; Hulton Archive/Getty ; Bettmann
Both on screen and in public,Marilyn Monroewas as glamorous as could be, swathed in luxurious gowns that would go down in history as some of the most iconic of all time.
As for her most memorable fashion moments, there are few who aren’t familiar with the plunging white halter gown with a pleated skirt she wore inThe Seven Year Itchor the floor-length hot pink gown with an oversized bow that she titillated audiences with while performing “Diamonds Are a Girl’s Best Friend” inGentlemen Prefer Blondes.
The beige beaded gown that she wore to sing “Happy Birthday” toPresident John F. Kennedyin 1962 is equally as famous.Kim Kardashianwore the dress to the2022 Met Gala. While Dr. Justine De Young of the Fashion Institute of Technology told PEOPLE the move was “irresponsible and unnecessary,” Monroe’s estate supported Kardashian, with Nick Woodhouse of Authentic Brand Groups (the company in charge of the estate) saying that Monroe would’ve celebrated the reality star’s choice of wardrobe.
Keep reading to revisit all of the other incredible fashion moments Marilyn Monroe created over the years.
Marilyn Monroe at her wedding to James Doughertyin1942
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For her wedding to neighbor James Dougherty, Monroe, then 16 and known as Norma Jeane Mortenson, chose a simple streamlined gown with ruched sleeves and a modest scoop neckline. The couple, who were wed for four years, married at the suggestion of Monroe’s foster mother to avoid sending her back to the orphanage, according to Dougherty. As he later told United Press International in 1990, per theLos Angeles Times, “I never knew Marilyn Monroe, and I don’t claim to have any insights to her to this day. I knew and loved Norma Jeane.”
Marilyn Monroe at a portrait session in Los Angeles in1946
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For a portrait session in January 1946, Monroe wore a simple red crewneck sweater, a pair of houndstooth Bermuda shorts and a brown Western belt.
Marilyn Monroe posing for a portrait in Los Angeles in 1946
During another photo shoot in 1946, the future actress looked like a young Judy Garland in overalls and a red striped top with her hair in a red bow.
Marilyn Monroe at the start of her movie career in 1947
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The actress wore this show-stopping number, which featured a tight bodice with an off-the-shoulder neckline and a tiered skirt embellished with bows, early on in her film career.
Marilyn Monroe posing for a portrait in Los Angeles in 1947
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Marilyn Monroe in agent Johnny Hyde’s backyard in 1950
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The same year she made her film debut, the starlet looked radiant while visiting talent agent Johnny Hyde in a pair of shorts that showed off her legs and a quarter-sleeve turtleneck with banded stripes at the arms and collar.
Marilyn Monroe inTheAsphalt Junglein 1950
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Monroe breathed new life into the little black dress with this off-the-shoulder version she wore in the 1950 filmThe Asphalt Jungle. She paired the number with black sheer tights and black heels.
Marilyn Monroe on the beach in 1951
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The Hollywood legend was pictured inmany different bikinisthroughout her career, but this polka dot one circa 1951 is perhaps the most known. The suit featured ruffled trim for added flirtiness.
Marilyn Monroe at the 23rd Academy Awardsin 1951
For her one and only appearance atthe Oscars, where she presented the Academy Award for Best Sound Mixing, Monroe chose an ultra-glamorous, black off-the-shoulder princess dress. The gown wasreportedly created for Italian actress Valentina Cortesefor the 1951 filmThe House on Telegraph Hill.
Marilyn Monroe reading fan mail in 1952
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The actress looked glamorous while wearing a lacy black robe over a pink gown to read fan mail shortly after the release of her latest picture,The Asphalt Jungle.
Marilyn Monroe inLifemagazine in 1953
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Marilyn Monroe inNiagarain 1953
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For her part as Rose Loomis inNiagara, Monroe wore a cropped suit jacket and a matching pencil skirt with a strapless blue top with a bow at the side.
Marilyn Monroe inGentlemen Prefer Blondesin 1953
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One of Monroe’s most iconic looks is the hot pink strapless number she wore for her “Diamonds Are a Girl’s Best Friend” number inGentlemen Prefer Blondes.
“I took a brilliant candy-pink silk peau d’ange made in Paris and flattened that to a giant billiard felt with an overlay of silk,” designer William Travilla said in 2011’sDressing Marilyn, perVogue. “Apart from the two side seams, the dress was folded into shape rather like cardboard. Any other girl would have looked like she was wearing cardboard, but on screen I swear you would have thought Marilyn had on a pale, thin piece of silk. Her body was so fabulous it still came through,” he explained.
Travilla accessorized the famous dress with a pair of matching opera-length gloves. As for the oversized bow at the back, it was stuffed with horse hair to help it maintain its shape.
Travilla was also behind the sexy gold lamé getup Monroe was briefly spotted in duringGentlemen Prefer Blondes. The halter-style design featured a plunging neckline and sunburst pleating with an open back. It was also skintight, with Monroe reportedly needing to be sewn into it.
The actress later wore it to the Photoplay Gold Medal awards dinner, where she took home the award for most popular female star.
Though the pink dress fromGentlemen Prefer Blondesis the one most-oft referenced, the orange fishtail gown Travilla created for the film is also memorable. With ruching down the front and a beaded center, the dress is said to have caused theater-goers to gasp when the actress appeared in it alongside costar Jane Russell, who looked equally radiant in her own beaded black sequin gown.
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Marilyn Monroe at Grauman’s Chinese Theatre in 1953
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Monroe and herGentleman Prefer Blondescostar Russell looked gorgeous in near-matching halter dresses while having their hand and footprints immortalized in wet cement at the Grauman’s Chinese Theatre. Though both gowns were cut to the mid-calf, Monroe’s featured eyelet detailing throughout while Russell’s had a polka dot print.
“Marilyn and I were invited to add our footprints to those already cemented in at Grauman’s Chinese Theatre on Hollywood Boulevard. We were both wearing summer dresses and high heels as we posed, arms linked together, for the photographers. We were thrilled beyond words,” Russell later remembered of the moment in her eponymous autobiography.
Marilyn Monroe inHow to Marry a Millionairein 1953
Marilyn Monroe after theHow to Marry a Millionairepremiere in 1953
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Marilyn Monroe at her wedding to Joe DiMaggio in 1954
Monroe went against the traditional grain for her wedding to second husband DiMaggio, selecting a dark-colored button-down suit with a furry Peter Pan collar for their city hall ceremony.
Marilyn Monroe posing for Milton Greene’s Ballerina Sitting series in 1954
Marilyn Monroe inThere’s No Business Like Show Businessin 1954
1954’sThere’s No Business Like Show Businesssaw Monroe team up with Travilla once more to bring his flashy garments to life. Here, she’s seen in a form-fitting gown with beaded embellishments that crescendo into a dramatic pouf at the bottom of the skirt.
Marilyn Monroe at the premiere ofThere’s No Business Like Show Businessin 1954
Marilyn Monroe.M. Garrett/Murray Garrett/Getty
Monroe revisited a similar silhouette to the belted strapless one she donned inGentlemen Prefer Blondeswhile attending the 1954 premiere ofThere’s No Business Like Show Business, albeit with an added fur stole and a more streamlined fit.
Marilyn Monroe in her Palm Springs garden in 1954
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Marilyn Monroe inRiver of No Returnin 1954
For her turn as a bar singer inRiver of No Return, Monroe performed in a red number with swirly black sequine embroidery and delicate beaded off-the-shoulder straps.
Marilyn Monroe visiting the 25th Marine division in Korea in 1954
In 1954, Monroe performed for U.S. troops stationed in Korea in a sparkly purple spaghetti strap design. The dress was recentlyput on displayin Bendigo, Australia, in 2016.
Marilyn Monroe inThe Seven Year Itchin 1955
Everyone remembers the moment when Monroe’s dress blew up over the subway grate inThe Seven Year Itch. The plunging halter piece became a huge part of the actress’s legacy.
Monroereportedly wore two pairs of undergarmentsin order to keep the crowd from getting an eyeful while filming the scene, which took place in New York at 1 a.m. Fellow actress Debbie Reynolds laterpurchasedthe gown for $200 and sold it for over $4 million in 2011.
Another costume fromThe Seven Year Itch, the “tiger gown” featured black stripes over gold fabric, a slit and a tulle train. The actress also paired the look with black evening gloves.
Marilyn Monroe posing for a photo in 1955
Monroe was all smiles in 1955 when she posed for a picture in a black evening gown with a unique, yarn-like shoulder strap at one side, a strapless bustline and a mermaid tail. She previously wore the piece to the 1952 Hollywood Foreign Press Association award ceremony.
Marilyn Monroe lounging on the floor in 1955
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Monroe looked every bit the movie star while lounging on a white satin sheet and a white fur coat in a red brocade evening gown with spaghetti straps. She accessorized with long, dangling diamond earrings, black tights and pumps.
Marilyn Monroe in front of her California homein 1956
Smiling in a belted trench coat, Monroe looked chic and at ease outside her Brentwood, California, home.
Marilyn Monroe meeting Queen Elizabeth at the Royal Command Performancein 1956
Marilyn Monroe and Arthur Miller arrive at the Empire Theatre in London.Hulton-Deutsch Collection/Corbis via Getty
Marilyn Monroe hosting a press party at her Los Angeles homein 1956
The sleek black satin slip dress, which Monroe was photographed in while hosting a press party in 1956 is right in line with the makeover she reportedly received from photographer Greene’s wife, Amy, several years prior.
Anexcerptfrom Elizabeth Winder’s book,Marilyn in Manhattan: Her Year of Joy, revealed that Milton was “exasperated” with the star’s off-screen clothing sense, reportedly telling her, “Look. … You have something that looks fantastic on screen, but you walk around like a slob.” As Winder explained in the book, “[Marilyn would] just go back to the old clothes she was used to — slacks cut too short that never really fit, blouses that never really had the right lines.”
As the story goes, Milton even enlisted Amy to help Monroe with her closet needs. “She went to her good friend, the designer Anne Klein, and said, ‘Listen, I have a friend and she’s an actress’ — I never told Annie who it was — ‘and I need some clothes because she has no fashion sense and I have to dress her up,’ Amy recalled. “And Annie said, ‘Come and get what you want. The result was a capsule collection of black sheaths and slips, sexy but simple and perfectly in tune with Marilyn’s aesthetics.”
According to the book, once she found her style groove, Monroe had cheaper versions of the couture looks made.
Marilyn Monroe at her wedding to Arthur Miller in 1956
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While Monroe wore a pencil skirt and a simple shirt for her official courthouse wedding to playwright Miller, she had a another look lined up for a secondary ceremony in the form of a Norman Norell gown with anempire waist, a ruched neckline and a tea-length skirt. She topped it off with a short-but-sweet veil.
Marilyn Monroe at the premiere ofThe Prince and the Showgirlin 1957
For the premiere ofThe Prince and the Showgirl,the first production from Monroe’s company, Marilyn Monroe Productions, the entrepreneur dazzled in a fitted satin dress with a mermaid silhouette. She paired the ensemble with full-length gloves and a satin stole.
Marilyn Monroe inSome Like it Hotin 1959
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Australian costume designer Orry-Kelly won an Oscar for his fashion designs in Monroe’s 1959 film,Some Like It Hot, in which she wore this black-and-nude cocktail dress with beaded fringe and butterfly appliqués. It has been said that the dress was so tight, the starhad to be liftedon top of the piano she sang on in it.
Marilyn Monroe at the premiere of Some Like It Hot in 1959
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Monroe wore yet another of her film designs to the premiere ofSome Like It Hotwhen she stepped out in an embellished ivory crepe gown with bugle beads that swung loosely at the bottom. Fans would later see the gown in 1960’sLet’s Make Love, for which Dorothy Jeakins was the costume designer.
Marilyn Monroe boarding a plane to Chicago in 1959
The film legend bundled up in a luxe fur coat while boarding a plane at La Guardia airport en route to Chicago for the premiere ofSome Like It Hot.
Marilyn Monroe inLet’s Make Lovein 1960
In a departure from her usual ultra-tight evening gowns, costume designer Dorothy Jeakins outfitted Monroe in a chunky cable-knit Aran sweater fromCleo Ltdand a pair of sheer black tights.
Marilyn Monroe on the set ofThe Misfitsin 1960
The Golden Globe winner’s ensemble forThe Misfitsmay have been simple — she wore a brown belt, a white cotton voile blouse and a pair of Lady Levi’s (the first line of jeansfor women) — but the costume had a major style impact. According toVogue U.K., it wasthis very getupthat helped popularize denim for women.
Marilyn Monroe landing in New York City in 1961
Marilyn Monroe at the Golden Globe Awards in 1962
“Everything had to be skintight,” Norell reportedly said of designing for the starlet in the 2017 bookMarilyn in Manhattan: Her Year of Joy. “You had to reinforce every seam or everything would break.”
“To top off my night after The Met, I had the honor of changing into Marilyn Monroe’s Norman Norell dress that she wore to the Golden Globes in 1962 — where she received the Henrietta Award For World Film Favorite,” Kardashianwrote on Instagramin May 2022. “In my quest to find the Jean Louis hand-beaded dress that I wore to the gala, I discovered @heritageauctions owned Marilyn’s iconic green sequined gown. … It will forever be one of the greatest privileges of my life to be able to channel my inner Marilyn in this way, on such a special night.”
Marilyn Monroe at President John F. Kennedy’s birthday celebration in 1962
Cecil Stoughton/The LIFE Images Collection/Getty Images.
Apart from her pleated white dress inThe Seven Year Itch, Monroe is also remembered for the $12,000 sparkler she wore while singing “Happy Birthday” to President John F. Kennedy at Madison Square Garden in New York ahead of his 45th birthday on May 19, 1962.
Kardashianborrowed the gownfor the 2022 Met Gala, which had a theme of “In America: An Anthology of Fashion,“wearing it on the steps of the Metbefore changing into a replica. As she relayed toVogue, “Nowadays everyone wears sheer dresses, but back then that was not the case. In a sense, it’s the original naked dress. That’s why it was so shocking.”
source: people.com
